Tien-Hsin Cindy Wu
Praised by the Seattle Times as “Simply marvelous” and Taiwan’s Liberty Times for “astonishingly capturing the spirit of the music,” violinist Tien-Hsin Cindy Wu enjoys a versatile career as a soloist, chamber musician, and educator throughout North and South America, Europe and Asia.
Spotlighted by Marie Claire Taiwan’s 2004 September issue “Young Power”, Cindy has been featured as a soloist with orchestras such as the National Symphony Orchestra of Taiwan, the Odessa Philharmonic Orchestra, and the Russian State Symphony Orchestra. Renowned artists with whom she has collaborated in concerts include Yefim Bronfman, Gary Graffman, Lynn Harrell, Leila Josefowicz, Kim Kashkashian, Ani and Ida Kavafian, Cho-Liang Lin, Anthony Marwood, Midori, Thomas Quasthoff, Yuja Wang, and members of the Alban Berg, Brentano, Cleveland, Emerson, Guarneri, Miró, and Tokyo string quartets. She frequently performs at the world’s most prominent venues such as the Kennedy Center, Library of Congress, Carnegie Hall, Lincoln Center, Metropolitan Museum of Art, Deutsches Theater München, the National Concert Hall of Taiwan, and festivals such as Bridgehampton Chamber Music Festival, Great Lakes Chamber Music Festival, La Jolla Summerfest, Mainly Mozart, the Marlboro Music Festival, and Santa Fe Chamber Music Festival. She has also collaborated as a guest violist with Dover, Formosa, Johannes, Orion, and Shanghai quartets.
Cindy is a recipient of many awards including the Milka Violin Artist Prize from the Curtis Institute of Music, and third prize at the International Violin Competition of David Oistrakh. She taught violin, chamber music, and string pedagogy at the Thornton School of Music of the University of Southern California from 2010 to 2015, and has coached chamber music at the Encore School for Strings and Hotchkiss Summer Portals. She is currently the Artist in Residence and Artistic Partner of the Da Camera Society in Los Angeles, and the Associate Director of New Asia Chamber Music Society.
Outside of the classical style, Cindy also explores collaborations with artists of other genres and innovative visions. Some of which include album, “Bach in Los Angeles” with German electric bassist Jacques Bono, performance with contemporary American musicians Jeremy Kittel and singer Aoife O’Donovan, and multiple recording projects for Spanish film composer Arturo Cardelús.
Cindy’s teachers include Dorothy DeLay, Victor Danchenko, Midori Goto, Hyo Kang, Ida Kavafian, and Steven Tenenbom. She plays on a 1734 Domenico Montagnana violin, 1918 Stefano Scarampella violin, and a 2015 Stanley Kiernoziak viola.